Back in November, I wrote a post about whether an MFA was worth the money it cost. recently, m,y friends at the Fairfield Writers’ blog took up the discussion again. This was sparked by the Broadway hit play Seminar, which some of the writers had seen. It’s about a writers’ workshop…
Here’s the beginning of the post:
At different times in March, three of us in the Saturday morning writers’ group at the Library saw the hit Broadway play Seminar with its original cast, before changes were made at the beginning of April. (Jeff Goldblum has replaced Alan Rickman in the role of Leonard; Fairfield’s own Justin Long now plays Martin, the role debuted by Hamish Linklater; and Zoe Lister-Jones is Kate, following Lily Rabe.) Colleague Ian Peterkin, who is an MFA student in creative writing, offers this takeaway.—Alex McNab
When novice writers realize their passion is more than a hobby, they will invariably seek out instruction. Whether they find that instruction in an MFA program, a writer’s workshop, or autodidactically, they must take the matter of writing seriously. For those hoping to learn their craft through books, there are many sources to choose from. Stephen King has his On Writing and of course there is that old classic by William Strunk and E.B. White—The Elements of Style. If fledgling writers do not have the time or commitment for an MFA program—and sometimes even after completing one—they often attend a writers’ retreat or seminar. This brings me to Theresa Rebeck’s play, Seminar.
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