Author interview: Erica Boyce

IMG_2616 (1)Erica Boyce launched her debut novel, The Fifteen Wonders of Daniel Green, at the beginning of April, and I was lucky enough to meet her at our local independent bookstore in Fairfield. I was intrigued by the idea of a story being told against a background of crop circles and the people who make them. When I read the book, I was delighted to find it exceeded my expectations. This is one of those books that you keep putting down so it will last longer. Or you read it all in one go. I stretched it out, and will probably read it again, because it’s wonderful. So well written, and the emotional understanding the author brings to the characters belies her youth. It’s hard to believe this is her first book. The themes encompass the struggle between rural and urban existence, acceptance of others, the revelation of secrets that can mar relationships but that forgiveness can restore, and the role of art in that process. The author had me rooting for every character, and I was sorry to leave them. An excellent book for clubs (it comes with a reading guide) and anyone looking for hope in the crazy world we live in today. So I asked her whether she would let me interview her.dan grn

GC: Yours is an unusual background story for a novel. I expect you’ve answered this a million times, but for the sake of readers who don’t know, what drew you to the idea of crop circles?

EB: It is sort of a funny hook, isn’t it? When I was in college, I fell down one of those YouTube rabbit holes and came across a video of people making crop circles. I thought it was so interesting that this group of people were essentially making art—not for the recognition or the praise, but rather for the joy it brings the viewer.

GC: Would you describe one of the major themes as the push and pull between rural and urban America, as embodied in the characters?

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Crop circle

EB: That’s a very interesting read, and I’d say it’s part of the story, for sure. I think it’s also sort of paralleled by the push and pull between the family you’re born into and the family you make and where they supplant and support each other.

GC: How has your life experience influenced the story?

EB: I think there’s a little bit of myself in almost every character in here! But I’d say the biggest influence on the story came when I was diagnosed with the same mental illness that one of the characters’ lives with. I got my diagnosis in college, right around when I wrote those first few chapters, and over the years of learning about the disorder and how it’s affected my life, I started to wonder what would happen if one of the characters was learning the same things. It can be hard to find novels with characters for whom their mental illness is one part of the whole, as opposed to their antagonist or their guiding force. So, I decided I wanted to try to write one.

GC: What made you pick up your unfinished novel after such a long break? Did you find it better or worse than you expected at first?

EB: Oh, it was terrible! Those first few chapters were so, so cringe-worthy and required a lot of editing before it was all said and done. I’d been putting off writing the rest for a long time (several years!), and I think I kept looking for “a sign” that it was time to pick it up again. In late 2016, my day job shifted from full-time with a very long commute to part-time and working from home, so I had a lot more time on my hands and I figured that was as good a sign as any!

GC: What are you planning on writing next?

EB: I’m currently editing my second book (as yet untitled), which is due out in spring 2020. After that, I’m not sure; still feeling my way through a few ideas for book three. Hope to start outlining soon…

You can follow Erica on Facebook, Twitter and Instagram. You can also sign up for her monthly newsletter (on hiatus for the next few months) at www.ericaboyce.com She gives away a copy of one of her favorite books to a subscriber in every newsletter!

 

Author interview – Susan Ross

Susan Ross Headshot

Susan Ross is the author of a new novel for middle grade readers, Searching for Lottie. It’s a mystery based on her family’s past, but the main character is a contemporary 12-year-old girl, working on a family research project for school. Charlie’s curiosity and excitement come through for the reader, while at the same time shining a new light on the Holocaust. I was interested to find out how Susan Ross managed to weave such a satisfying novel from such a difficult history. Continue reading

Author interview: Debbie Levison

I met Debbie Levison at a talk she was giving to the Connecticut Authors and Publishers Association. Her debut book, The Crate: A Story of War, a Murder, and Justice, is a true crime story, and seemed like an unusual … Continue reading

Author interview: Marilyn Simon Rothstein

044-MarilynRothsteinAuthorPortrait_14x11crop-more-retouchedI met Marilyn Simon Rothstein at the Saugatuck StoryFest in Westport, CT, and bought her first book, Lift and Separate, because she made me laugh. That novel, by the way, hit the number 1 slot on Amazon’s list of Satirical Fiction last week!

Her novels are filled with humor, as well as romance, pathos and a host of other emotions. The first book made me want to read the sequel, Husbands and Other Sharp Objects, another satisfying read. Marilyn has had a career in advertising, and became a published author relatively late in the game, so naturally I had questions for her. Continue reading

Author interview: Clare Pernice

I ran into Clare Pernice at Goldenberry, a shop in Wilton, not too far from here, that stocks British products. No surprise there, because we’re both British-born, and we were looking for a few seasonal treats. But I noticed her … Continue reading

Author interview: Leslie Connor

leslie cI’ve long been an admirer of Leslie Connor, an award-winning middle-grade author whose characters have always stayed with me after reading the last page of the book. Her latest, The Truth According to Mason Buttle, is no exception. It’s a finalist in the National Book Award for Young People’s Literature, and I think deserves to win. (I’m prejudiced because I loved it.) The results will be announced on Wednesday, November 14, and I’m keeping my fingers crossed. The character of Mason is unique in juvenile fiction, as far as I know, and yet he’s someone recognizable to all of us. Read on to find out more.

GC:  You’ve written many middle-grade novels. For this one, which came first – the character, Mason Buttle, or the plot idea?

LC: My stories generally start with a situation—an element of nonfiction, such as a news report, or an event I have observed or read about. My imagination does a lot of work on that seed idea, bending it this way and that. If it’s a story-worthy idea, a character shows up—usually in my ear—and I go from there. In truth, that character has often already been kicking around the attic of my brain for quite a while. I’ve heard it said that character is plot. I have to agree; I never know either plot or character completely until I bring them together.

indexGC: You’ve captured Mason’s voice in an extraordinary and highly readable way. Do you know someone with these kind of learning difficulties, and characteristics (honesty, emotional synesthesia) or did Mason appear fully-formed from your imagination?

LC: Thank you! Mason is definitely a composite. I’ve always been able to pick out the kid in a classroom who is having a different experience from their peers. I know about some learning disabilities firsthand, but synesthesia was new to me. When I saw Mason Buttle in my mind’s eye, I knew what he was experiencing but I had to do some research to diagnose him.

GC: How would you characterize the main themes of the book? What would you like young people to take away from it?

LC: This question is difficult for me to answer. I’m not thinking about themes when I’m writing. For me, the most prevalent character traits (always tied to theme, right?) that emerged here are: self-reliance and honesty. Takeaways from this read might include empathy, compassion, and an increased sense of self-worth.

GC:  For writers interested in writing for middle-grade – what makes an MG book different from a chapter book, YA novel, or an adult novel, for that matter?

LC: Writers are creative beings and lines are blurred, when it comes to formats. For instance, we see novels in verse and graphic novels for both the YA and MG audiences. So what separates them? For me, the single most important determinant of genre lies in the level of self and social awareness of the main character—no matter the age, no matter the topic.

GC: Your last two books have had a boy as the main protagonist. Are you planning anything with a girl as the featured character?

LC: Yes! I was surprised to be writing from a young male point of view, but the characters came to me an authentic way, and so far, I haven’t heard that they don’t work! (I chalk that up to having grown up between two brothers and having raised two sons.) My latest book (under contract) features a female protagonist, and in fact, there are very few males in this new story.

YOu can find Leslie on Twitter, Goodreads, Facebook, and Instagram.

Continue reading

Author interview: Lynne Constantine

Lynne Constantine and her sister Valerie together form a writing partnership, Liv Constantine, whose nail-biting psychological thriller, The Last Mrs Parrish, has become a breakout international best-seller. It’s now available in 22 countries/territories, including places like Brazil, Croatia and China. … Continue reading

Author interview: Susan Hood

Susan Hood photoI was surprised to find myself at a reading given by award-winning children’s book author Susan Hood, because she’s written more than 200 books for small children, and I don’t read many of those. But I heard about her debut novel for middle-grade children, written in verse, and suddenly felt I had to find out more. The book, Lifeboat 12, tells the story of a shipload of British children being evacuated to Canada in 1940, when their ship is torpedoed, leaving very few survivors.

I’m fascinated by World War II stories, and this one happens to be true. I wasn’t sure whether I wanted to read a book in verse, but I bought it and read it, gripped Continue reading

Author interview – Linda Legters

Website Pic1-2Linda Legters’ debut novel, Connected Underneath, is unusual in several respects. Its chief protagonist, Persephone, is a confused teenager whose life becomes even more complicated when her tattooing habit, which she pays for with sex, gets in the way of her love for her best friend, Krista. Meanwhile, Celeste, a wheelchair-bound young woman who lives nearby, is watching and meddling in other people’s lives. I’ve not read a novel like it, and although the writing was a little tricky because of its unusual style, it seems to suit the novel perfectly, as the characters collide with one another like pinballs. The book is available as an eBook right now, and as a paperback on April 2nd. (Just so you know, I know Linda and she gave me an ARC in exchange for an honest review.)

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GC: You’ve picked an unusual set of characters and story-lines in Connected Underneath. Was it the characters or their situations that developed first for you?

LL: The characters, definitely the characters. Celeste, for example, grew out of a childhood memory of a neighbor, and aspects of Persephone’s character come from the many wonderful and interesting but sometimes troubled students I have worked with while teaching at Norwalk Community College.

GC: Would you say that the overall tone of the book is dark?

LL: It certainly has some shadows, but there is also hope, hope that we can be more self-aware, more honest, and, well, more connected. The title of the book comes from the first line of Muriel Rukeyser’s poem “Islands,” which chides us in our thinking that we stand alone.

GC: How important is the location, a decaying upstate town, to the novel? Could the story have worked in a more upmarket place?

LL: I don’t think so. I didn’t want readers thinking about upscale solutions, such as therapy. Also, the fictional town, Madena, has been left behind by ‘progress,’ and yet maintains its struggle to survive and even move forward. At the beginning of Connected Underneath, the characters are isolated, and this parallels the ways the town is isolated, even though only a short train ride away from big cities. At the end of the story, Madena comes together, as do most of the main characters.

GC: Did you feel the changing points of view were a risky way to tell the story?

LL: In fact it’s always Celeste’s point of view, even as she describes others’ experiences. At first her information comes from what she witnesses or thinks she witnesses from the safety of her kitchen. Later, as her circles of contact widen, and her connection to the truth is on firmer ground, the story she tells becomes more and more accurate. In terms of the ending – which I won’t give away – we often imagine what moments like this must have been like for someone, and our imaginations can run wild in the way Celeste’s does.

GC: Your book is published by Lethe Press, a publishing company that specializes in books across the gender spectrum. The gay theme in the book is relatively minor, so would you describe this as a gay novel?

LL: I’m delighted Lethe Press welcomed my novel to their list, but, no, I don’t see this as a gay novel. Members of the LGBT community are part of the fabric of our lives, just as Persephone is part of Madena’s. A good friend, Dan Jaffe, who is also published by Lethe, and who first read this manuscript, appreciated the way it was not ‘one more’ coming out story, but instead showed Persephone in the throes of all-too-common teenage problems, of which her sexuality is only a part. Connected Underneath is also about parenthood, particularly single-parenthood, and about coming to terms with family dynamics, in all of its dimensions.

Thank you so much for chatting with me!
You can connect with Linda via Facebook, Twitter, and on her website.

 

 

 

Author Interview – Barbara W Klein

To paraphrase the Bard, some people are born writers, some become writers, and others have writing thrust upon them. I suspect today’s author, Barbara W. Klein, falls into the last category, since it was her family that persuaded her to write this book. It bears the unusual title of a glub glub and a shake shake, and is both a family recipe book and a family project, insofar as her editor is her daughter and my friend, editor and published author, Lisa Winkler. Lisa’s sister, Madeline Taylor  illustrated it. Not only does this book form a collection of recipes, but the stories behind them pass on the kind of family history that can fast be forgotten in these ephemeral times. Of course, I had a few questions for Barbara.

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GC: First of all, how did the title come about?
BWK: The title came about while I was describing a recipe to Lisa, she’d ask me how much of a certain ingredient was needed. One time I said, a ‘glub, glub,’ referring to honey. I’ve heard this expression before and it means an unmeasured amount, to taste. With honey, you turn the bottle over and it’s a ‘glub glub!’ A ‘shake shake’ is similar with spices. You shake a little over meats to taste.

GC: Clearly this book is a family effort. How did you work out who did what?
BWK:It was easy. Madeline is a great artist and has been drawing her whole life. Lisa compiled the recipes and prepared the manuscript for the book designer. All my children and grandchildren suggested recipes for the book.

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GC: The recipes come from several different cultures and countries. Can you give us a few examples?
BWK: Couscous is from Tunisia, adapted from our time serving there in the Peace Corps. There are many Jewish recipes that were made by my mother, grandmother, and mother-in-law and I perfected them over the years. Lisa brought back the Anzac cookie recipe from Australia when she was an AFS student there.

GC: Who actually prepared the book for publishing? Did the illustrations make it more complicated?
BWK: Lisa’s book designer, Solveig Marina Bang, designed the book with input from all of us. She presented several cover and color options. The illustrations were easy to include in the pdf.

GC: If you could pick two recipes that are your family’s favorites, which would they be, and why?
BWK: That’s a hard question because everyone has their own favorites. If I have to pick two, I’ll say pot roast and matzo brei. But all my pies are top contenders, too.
GC: What was the most fun about doing this project?
BWK: Just remembering how the family got together and helped making meals.