Writers’ Rendezvous: November update – Part 2

Welcome to Part 2 of the Writers’ Rendezvous update. I’m enjoying the last relatively free weekend before the holidays are upon us and thinking about all the writing events and contests I can still submit to. Here’s the first:

47249137_10217896453506821_8817750592366575616_oThe Connecticut Press Club’s Annual Communications Contest is ready for your submissions. If you live or work in Connecticut, and have published anything at all in 2019 (there’s still time, folks!), you’re eligible. To enter, follow the directions on the contest site. There are sixty-one different categories, so there’s sure to be one for you. Email CTcontestDir@charter.net with questions about the contest. And they’re looking for judges, so if you’re willing to volunteer, please email ctpressclub@gmail.com to let them know. The fee for CT Press Club members is $25 for the first entry and $15 for each additional entry. The non-member fee is $30 for the first entry and $20 for each additional entry. The early deadline to submit entries Continue reading

Writers’ Rendezvous: October update – Part 1

We had another successful meeting on Wednesday, and covered a variety of topics, from classes to contests. I’ll start with upcoming events for writers. If you want more suggestions, or have an event you’d like to add, check the calendar on this page. Part 2 of this update will be appearing on Monday.

Red Dove coverFirst of all, I’ll be facilitating a conversation with author Sonia Antaki about her novel Red Dove: Listen to the Wind at the Westport Playhouse on October 24, at 7pm. Contact me for details if you’d like to attend. Free

pam paulOn Monday, October 21, Pamela Paul, Editor of the New York Times Book Review, will be Continue reading

Need a plot twist? Check these out…

Aaron Diaz, who travels under the pseudonym of Dresden Codak is a guy with a background in physics, anthropology and computer science, but he prefers to spend his time designing very intelligent and funny comics.  I particularly like the one below, because it’s something every screenwriter, playwright or plot-writer, should have under their belt, no matter what their genre or plot problem:

You can see more of his work here.