Westport Wrtiters’ Rendezvous – June update

Nineteen members showed up for Wednesday’s meeting – thanks for coming! The night before, we had a great WritersMic Meetup in Westport, with content as varied as fiction, memoir, articles, poetry and even a prize-winning eulogy! Link to either of the pages here to join the Meetups.

Meanwhile, there was lots to talk about at the Westport Writers’ Rendezvous, and time for some networking at the end. Among the things discussed, in date order (where appropriate) were:

Write Yourself Free in Westport is offering a free introductory class this Saturday (June 24) from 11-12.45pm, to familiarize you with their method of writing workshop. It gives you a structured way to get that novel or memoir written, and is definitely worth trying. In addition to a range of summer classes for adults, they’re also offering a series of classes for children (3-6th grade). More info here.

Also, this Saturday (June 24), Jan Kardys, founder and director of the Unicorn Writers Conference is having one of her regularly scheduled Meetups, at which you can offer up to 10 pages for critiquing by her and other participants. At $10 per meeting, it’s money well spent. If you can’t make it this time, become one of her Meetup members, and you’ll be on the mailing list for future events. She also offers editorial and other services for writers.

Tomorrow afternoon, Saturday, June 24, from 2-4, members E.V. Legters and Kristen Ball will join CT writer Harmony Verna will be reading from their new books at the Booth Library in Newtown, CT, as part of the Connecticut Authors Read series. Should be fun!WritingbyPhotos8dotcom

Glimmer Glimmer Train’s Short Story Award for New Writers is looking for submissions. Their deadline is June 30, 2017. It’;s worth entering, since they consider all entries for publication. The first place wins $2500 and publication, 2nd place gets $500, or $700 if published. Third prize is $300, or $700 if published.

The Writer’s Digest Conference is scheduled for August 18-20 in NYC. It costs $469, and for an additional $99 you can add the Pitch Slam, which offers: a one-hour Pitch Slam time slot on Saturday, August 19, a pitch perfect session (9:00 AM on Friday, August 18), entry in the Query Letter Directory and a query letter webinar: Query Better Basics for Books. The main conference has Lisa Scottoline and Richard Russo among its keynote speakers, and sessions cover craft, getting published, the business of being an author, platform & promotion and genre studies. You can register at the link above.

New member Tanya Detrick told us about the Connecticut Authors and Publishers’ Association. They offer 12 meetings a year with different speakers all over the state. $48 per year.

If you’re a horror writer, there’s the Horror Writers Association. Their conference is held in the early spring, but you could check them out.

The Good Men Project, an online magazine with 3 million readers each month, is looking for submissions on a range of topics. Topics include art & entertainment, dads and families, health, wellness, the soul, and so on. Submissions are via Submittable, and you may have to set up an account to join the Good Men Project, but it has a ready-made audience.

And speaking of Submittable, they handle submissions for many publications – you may have used them already. They also have a regular newsletter, with suggested places to submit. Submissions aren’t just for prose, they include screenplays, poetry, radio (NPR is looking for pitches for StoryLab) – even films and art. You can sign up for the newsletter and get free suggestions for your work.

Member Alex McNab mentioned a couple of commencement speeches with particular relevance to writers. The first is to the NY Times digest of 2017 commencement address highlights. He cited Colson Whitehead, with a near perfect precis of three-act structure. And his  old pal Billie Jean King offers a smart way to think about writing a long story—just substitute the words “writing a book” for her uses of the word “life.”

Alex also reminded me that the current issue of Poets & Writers, is the annual Agents issue, with lists of agents, interviews with them etc. A good place to see who’s out there.

Finally, if you’re thinking of self-publishing, take control of the publication of your book with the IngramSpark Guide to Independent Publishing. It walks you through the publishing process: pre-production, formatting and binding, book marketing, creating your title metadata, preparing your files, and more.It sounds like a good guide to self-publishing, and you can download a free sneak peek of the guide before you buy.

I know it’s summer, but keep writing!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Westport Writers’ Rendezvous – March update

A relatively small but hardy group of us, including three new members, met yesterday – thanks for coming out in such bad weather! There was a lot talk about, so if you couldn’t make it, you can catch up here.

The Connecticut Press Club and the Fairfield County Writers’ Studio are co-sponsoring a workshop, Podcasting 101, this Saturday, led by Ben Bogardus. It takes place this weekend, Saturday, March 18, from 9:30 a.m. – 12:30 p.m. $75. Register here

Patrick McCord of Write Yourself Free in Westport, is offering a free introduction to his Master Class method from 1-3pm this Sunday, March 19. If you’re interested, email them at  writeyourselffreeinfo@gmail.com to reserve a spot (limited places available). Their regular classes begin next week.

The second WritersMic Meetup will take place next Tuesday (March 21st) at Panera’s on the Fairfield/Westport line, from 7-8.45pm. Bring up to around 1000 words to read to a friendly audience of other writers. Sign up at the Meetup link if you can.

classA number of online writing courses have been crossing my desk more frequently recently.

Gotham Writers Workshop of New York runs 33 of them, from how to write articles, to writing for video games, some starting soon. There’s an introductory video you can look at, to see how they work. Cost: $400 for 12 classes.

The Writers’ Store has a range of recorded webinars you can purchase, as well as live classes. Check them out here.

Kristin mentioned a course she had taken at with Tom Bird in Arizona.  He is a proponent of the handwritten manuscript, and believes in accessing one’s interior creative flow. You can try his method online, or sign up for a virtual writing retreats. There’s a free online workshop coming up next Thursday, March 23. He also has a workshop entitled: Write Your Book in a weekend, with an introductory video.

And Westport Continuing Ed is offering online writing classes via Ed2Go. $99 buys you twelve 2-hour classes, and the next series begins today, March 15. There are 24 different classes to choose from, including ones on designing your blog, writing fantasy, children’s and YA fiction, or publishing and selling your eBook, among others.

We talked about the ways to simplify submitting work for publication. One way to find an agent is through Query Tracker who have a list of 1592 agents and a method for keeping tabs on what you’ve sent where.

The Unicorn Writers Conference and the Book Publishing Discussion Meetup are both run by Jan Kardys, an agent herself. The Conference takes place on March 25th and offers a chance to meet agents and editors. The Meetup is monthly and you can take 10 pages to be critiqued, if you want to.

Book Hive is an online service that specializes in focus group research by beta readers in several genres. You get a 35-page report with plenty of feedback to help you perfect your novel/memoir etc.

And new member, Paul, suggested a quirky website Everyone Who’s Anyone in Publishing, that gives you contacts for lots of agents. He warned they might not all be up to date, however, so caveat emptor!

Alex McNab found an interesting article about how to make a perfect pitch (their title) by Sophie Masson, and another  by Brian Klems, published in Writers’ Digest, that explains the differences between Mystery, crime and thriller novels. And here’s an article from Holly Robinson about how to start writing again if you’re stuck

Also from the Writers’ Digest, and article on how to find an online critique group. You can read it here.

I thought The Writers’ Cooperative website looked interesting. It’s a website you join for $3 per month, which offers a chance to publish your articles on writing, as well as giving help and support to writers. If you’ve tried it, please let me know how you liked it, in the comments.

The Writer’s Hotel isn’t a hotel at all, it’s a writers’ conference taking place in NYC from June 7-13 this year. The conference offers Master Classes in Fiction, Nonfiction & Poetry, and as you can see, lasts 6 days. Broadly speaking, (if I’ve understood it correctly) there are workshops in the morning, with lectures and meetings with agents in the afternoon. Cost $2500, plus hotel and dinner.

Last but not least, as a result of submitting with Duotrope, I had a piece of flash fiction accepted by the Dime Show Review within 7 days. You can read it here (only 163 words, so it won’t take long!)

See you next month

Westport Writers’ Rendezvous – February update

So much good stuff from the meeting last Wednesday, and more streaming into my mailbox since that I thought you might like. So here goes:

First, the first WritersMic Meetup is taking place tomorrow, Tuesday, February 21st, at Panera’s in Westport from 7-8.45pm. If you’d like more details, join the Meetup online, and you’ll get reminders every month. I’m planning to hold them on the 3rd Tuesday of each month. You can bring a 5-minute (or less) piece to read, and we’ll get through as many as possible.

This Saturday, February 25th, the Fairfield County Writers’ Studio is offering a morning workshop led by Kim Caldwell on the route to publishing your book.  She’ll discuss the main paths to publication – self-publishing, traditional publishing, independent presses, digital-only and more. And she’ll explain what you need to know before you choose your path, what factors influence that choice, and a host of other topics you might not have explored. $45. Register here.

The Poetry Foundation is running the Emily Dickinson First Book Award – designed to recognize an American poet of at least 40 years of age who has yet to publish a first collection of poetry. They’re looking for one book-length poetry, and will publish the winning book as well as offering a $10,000 prize.  The competition is open to any American citizen forty years of age or over who has not previously published a book-length volume of poetry. Submissions close on February 27!

Stalwart member Kate Mayer sent me this information about the storytelling event Listen To Your Mother NYC. The show is nationwide, but this may be the last year it runs. Auditions need to be scheduled by appointment via http://listentoyourmothershow.com/nyc/

Kate took part in 2012 – she was touching and funny, of course – and met some incredible writers. Men, women, anyone can audition, the only requirement is the topic motherhood. Auditions take place in New York Feb 26-March 2, and the actual event is on May 6th.

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The Unicorn Writers’ Conference is taking place March 25 in Manhattanville College, Westchester. Check my previous post for details.

The Connecticut Book Awards are back in business, and it’s time to submit. The awards include a category for books for young readers, both authors and illustrators, as well as fiction, nonfiction, and poetry. The deadline for submission is April 21, 2017, and the winners will be announced this October. Your work should have been published in 2016, have a valid ISBN number and you should be a resident of Connecticut or have set the book mainly in Connecticut.
More information about guidelines and entry fees, as well as how to apply, is available at the Connecticut Center for the Book website.

The Connecticut chapter of Romance Writers of America is offering a two-day mini-conference open to all writers, April 1-2, in Norwalk. The morning session is entitled Winning the Promo Game: a practical class focused on helping authors develop a personalized promotional strategy that reflects their work and personal style. The afternoon will cover The Romantic Plot: form vs. formula

Gotham Writers in NYC is running a contest everyone can enter. They’re looking for a 50-word (yes really -50 words) on the theme: Be a Hero. Deadline: May 29.

The Writing Institute at Sarah Lawrence is holding their fourth annual Publish and Promote your Book Conference on June 24.

And if you’re not at that point, perhaps you’d like their Joe PapaleoWriters’ Workshop in Cetara, Italy, July 8-15, which combines writing and painting.

Member Bernice Roque has provided a link to the new blog article, the first part of a 3-part series. It gives you ideas for organizing your book project more effectively. Check it out.

Writers Digest has an interesting post with suggestions of what to do after attending a writing conferences

Submit a 10-minute Play at Darien Library. Playwrights are invited to submit their final scripts for consideration to the Catherine Lindsey Actors/Playwrights contest by April 7th. They accept musicals, monologues, short scenes from full-length and one-act plays. When writing your piece please keep in mind that the number of cast members is limited, only one play may be submitted per person, and plays must be 10-minutes long or less. Please limit your plays to 10-pages double-spaced, 12 point font.

Writers’ Relief, that very reliable service for writers, now offers web design services. Even if you don’t use them, their blog is worth signing up for, because of its writing tips. Here’s the latest on the evolving trends in author web design:

Westport Writers’ Rendezvous – January update

What a great first-of-the-year meeting we had on Wednesday. I think everyone left with ideas for new goals to set and how to get them done. More on that later, but first:

If you have a book you’d like to pitch to an agent, take advantage of the Fairfield County Writers’ Studio’s Pitch Party in Westport on January 28th from 10-12. $25 to pitch, $15 to sit, sip mimosas and see how it’s done… For tips on how to write a query letter, Alex McNab suggests Jane Friedman’s site, and also taking a look at Query Shark, for info on how not to write one.

FCWS is offering a broad selection of classes, in addition to this unique event. Hit the link to find out what they have.

A number of writing classes are also available at various venues in Fairfield County and New York. In the City, Gotham Writers is offering what they describe as a ‘rush of classes’ both in classrooms and online. I’ve tried them and found them very useful when I first began as a way of finding an instant critique group led by an experienced published writer.

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The Westport Writers Workshop has classes starting in Westport, Avon and Ridgefield. Subjects include memoir, fiction, the journey of writing for women, and personal essay.

Kate Mayer, one of our members, published a great blog post on achieving one’s writing goals. her simple method produced great results, so take a look.

The Connecticut Book Awards are back. These awards recognize the best titles of 2016 written by authors who reside in Connecticut. Book award submissions will be accepted starting January 2017 and will close in April 2017. For more information, please visit the Connecticut Center for the Book website.

The Connecticut Press Club is still accepting entries for their Annual Communications Contest. The only criterion for submission is that you must be a Connecticut writer and that the submission should have been published/broadcast/launched etc in 2016. The submitting process is still  more complicated than it should be, but if you’re interested, don’t give up. They’re accepting entries until February 6.  To ensure you’re on their mailing list, email CTPressclub@gmail.com.   The deadline is February 6.

One of our members, Sheryl Kayne, is producing a book for which she’s seeking contributions: Grandmas and Grandpas by Many Other Names.   This is an opportunity to celebrate grandparents. She’s looking for stories and/or photos about your own grandparents or yourself as a grandparent to accompany stories about fictional grandparents including Little Red Riding Hood’s as well as Heidi’s and Willy Wonka’s Grandfathers. She’s accepting contributions through Valentine’s Day and the E-book and softcover will be launched mid-April in time for Mother’s Day, Father’s Day and Grandparents’ Day. Contributors receive a free E-book.  Contribute here.

Bernice Roque, one of our members, is offering a useful (and free) task managing tool  specifically aimed at writers. If you feel you can’t keep track of things, this might be a good solution for you. Contact her through her website.

Elizabeth Chatsworth, another member, has been having some success with the grammar-checking tool Grammarly. It claims to find mistakes which Spellcheck doesn’t, and there’s a free version which should be worth trying out.

Among writing conferences coming up in our neck of the woods this year are these:

Unicorn Writing Conference Manhattanville College, Westchester March 25

ASJA (American Society of Journalists and Writers) NYC May 5-6

Writers’ Digest Conference, NYC August 18-20

BookBub is a great resource for authors looking to reach new readers for a debut or a series, to boost books up on the best-seller list, and even drive sales for backlisted books. Authors see an average earning increase of almost 200% when their book is chosen as a Featured Deal. GoSpark Press is offering a webinar; How to Maximize BookBub is set for February 2, 2017 at 4 p.m. PST (register here), and will help you figure out how to make Bookbub work for you, if you’re already published. Plus, it’s only $10…

Larry Brooks is a Californian writer with a great website called Storyfix. He coaches writers and now has a new virtual classroom which provides, to quote, “Hardcore Training Videos For Serious Authors”. He’s offering one free training module, one of five currently available. Here’s the link to “Essential Craft for Emerging Novelists,” an 81-minute hardcore craft training experience. Worth a look.

Book Riot, an online site that sends me updates on all sorts of book-related topics, has a post to inspire anyone who’s having trouble writing: a list of books that will help to get you started.

At our monthly meetings we set ourselves a goal to be accomplished by the next meeting, I’ve vowed to submit more work for publication this year, so I’ll be signing up with Duotrope. Now that I’ve said it in writing, I’ll just have to do it!

 

Westport Writers’ Rendezvous – December update

First – thanks so much to the Fairfield County Writers’ Studio, who hosted this month’s Rendezvous. Barnes and Noble were simply too full of holiday stuff to have room for us, but we’ll be back there next month. In the meantime, thanks are due to Carol Dannhauser and Tessa McGovern, FCWS founding partners. And we covered a lot of ground, though there’s some additional information in this update which I didn’t get to in the meeting.

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Courtesy Fairfield County Writers’ Studio

First up are the writing classes you need to sign up for now if you want to begin the New Year with a resolution to write more. Fairfield County Writers Studio (see photo left) has a huge variety – check them out here. in addition to classes and workshops, they are having another pitch party on January 28th, with Marilyn Allen, literary agent.

At the Westport Public Library, under the Westport WRITES banner, author and teacher Mary-Lou Weisman will lead a new six-part series for beginning writers, as well as an eight-session series for advanced writers. Introductory Non-Fiction Writing Workshop is on Thursdays, January 12-February 16 from 1:15-2:45 pm.  There’s also an Advanced Non-Fiction Writing Workshop on Thursdays from January 10-April 18. This is an eight-session workshop for those who have had some experience in writing memoir and personal essay. You’ll need to submit some writing beforehand to ensure that you’re experienced enough for this class. Contact the library for more details: mwaterman@westportlibrary.org

Write Yourself Free in Westport is also beginning its new year classes with a series of master classes for mixed genres. Join Patrick McCord Tuesday or Wednesday morning and evening, or Thursday afternoons to get your writing fix. If you’re interested in memoir or screenwriting, you can join specific classes in those genres. Get more info on all their classes here.

A propos of learning new things, one of our members, Alison McBain, attended the one-day workshop on writing for children that I mentioned last month. She’s written a blog post giving an overview of it, so if you want to know what went down, click on the link.

In addition, Alison finished her novel during NaNoWriMo and pitched it via a Twitter event called #pitmad. PitMad stands for Pitch Madness. There’s an excellent article on this one-day event here. Doing this has resulted in several agents asking to see Alison’s novel, which is terrific. You can pitch any genre, so check it out. You’ll need a Twitter account to pitch.

Being British myself, and writing in the British style, I sometimes wonder why people here don’t get exactly what I mean. For any of you writing something with a British character, here’s a very good run-down from Joanna Penn (of The Creative Penn) on how to get the Britishness just right. It might help you understand me, too…

indexThe Connecticut Press Club wants your submissions for the Annual Communications Contest. Last year some people found it hard to submit, but the process has been streamlines for this year. They’ll be sending out a call for entries next week with instructions how to enter your work in the contest. To ensure you’re on their mailing list, email CTPressclub@gmail.com. That way, you’ll get all the information as it happens. There are 64 categories, so if you’ve had work published/broadcast/launched etc during 2016, check the list. The Connecticut early bird deadline is January 17 and the regular deadline is February 6. They’re going to swap judging duties with the Illinois affiliate of the NFPW, which means that they judge Connecticut’s entries and CT judges theirs. Please let the CPC know at the email above if you’re interested being a judge.

I found an interesting article specifically targeted to writers with books they want to promote.  It tells you how to run Facebook Ads that work. If that writer is you, take a look.

Hearst Magazines used to have a collective submission system called the Mix, which allowed you to submit to all their publications simultaneously. Since its demise, it’s been harder to do that. There’s a list of all the Hearst editors in the following blog: How to pitch Hearst magazines now The Mix has gone.

The most popular feature of the annual Unicorn Writers Conference, taking place March 25th , 2017, is the 30-minute One-on-Ones with top NYC agents and editors. For an additional $60 over the basic $325 cost, you get a 30-minute sit-down with the agent or editor of your choice, who will have read 40 pages of your manuscript as well as your two-page summary.  For $150, Unicorn for Writers is offering to help you edit and polish those 40 pages before you submit them to those agents for the conference. You can find out more by emailing unicorn4writers@gmail.com

And finally, here’s the link for BookBub, for people who asked me for it. Pick your preferred genres, and BookBub will send you daily offers on e-books at much reduced prices. They’re books by well-known authors as well as newer writers.

And all that remains is for me to wish all my readers a very happy holiday week (or so). Keep writing!

 

 

Westport Writers’ Rendezvous – June update

It’s been a week since the last Westport Writers’ Rendezvous, and I should have published this post sooner. But I was away over the weekend, and I was doing some of my own writing, too, which all writers understand (I hope) has to come first. It was a great meeting, as ever, with several new faces, and there was a lot to talk about. Far from slowing down in the summer, the number of author workshops and events seems to be multiplying.edi

Among the upcoming events we discussed were the Memoir Workshop on June 25th in Westport. Run by The Company of Writers, the cost is normally $300 (including lunch), but the organizer, Terence Hawkins, is offering a specially discounted rate of $200 to Writers’ Rendezvous members.  The workshop leader is Blanche Boyd, a professor at Connecticut College, and a published writer.

BTW, The Company of Writers’ website also offers a list of indie presses, most of which accept direct submissions from writers. The site is worth a look.

Also on the 25th is a workshop run by Jan Kardys of the Unicorn Writers’ Conference, in Newtown, CT. It’s called: You Wrote a Book – Now What? Click on the link to can check it out.

June 26th sees an interesting development in book launches. Nora Raleigh Baskin, middle grade and YA novelist will launch her latest novel, Nine, Ten: A September 11th Story, on Facebook at 8pm. Check it out – it’s an intriguing new idea.

On June 28th, The Westport Library is offering a 2-part workshop called Writing Scripts for Television. It will be run by GiGi News. Part 1 is on June 28th and part 2 takes place on August 25 – both from 6.30-8.30pm. Register here.

Barnes and Noble in Westport, CT, is running a couple of excellent events next week. On June 29th, at 7pm, authors Nora Raleigh Baskin, Linda Legters and Stephanie Lehmann will discuss their paths to publication and changing views of success and art. Free. (Click here for my interview with Linda Legters.)

And the day after, June 30th, also at 7pm, our very own Susan Israel, crime writer, will be launching her latest novel – Student Bodies. If it’s anything like the last, it will be a great beach read.

Alex McNab wanted me to remind you of these other events:

Tues, June 28, 2 pm: Afternoon Tea with Author (The Bridge Ladies, The Forest for the Trees [about writing & editing from editor’s perspective]) Betsy Lerner at Fairfield Public Library, free.

Tues, July 5, 7-9pm Writers Read and Fri, June 8, 4-6pm Writers’ Salon at Fairfield Public Library, free.

Tues, Aug 23, 6-8pm DartFrog Books publishers are offering a  pitch session for self-published authors at Bank Square Books, Mystic, CT. Look for the sign-up form at http://dartfrogbooking.setmore.com/

One of our members is still soldiering on, checking out book marketing companies. It’s not easy to know who, among the crowded book marketing sector, can actually deliver in terms of book recognition, never mind sales. There are various companies that offer packages of services, but the consensus seemed to be that these aren’t likely to provide much in the way of promotion, and one is better off going it alone.

Which led us to a discussion of the value of editors – this without any prompting from me. As you know, I have a bee in my bonnet about editing, and it turned out that we had three among us. They agreed that it as best to submit 10 pages to an editor before hiring them, since the writer and editor must be compatible – on the same page, so to speak. This makes sense to me, because there are as many different styles and points of view as there are writers. If you’d like me to put you in touch with them, let me know in the comments.

For those wanting to print copies of their own book, the Espresso Machine by On Demand Books is located in New York, and can print your book while you wait. I’ve used it to print the first draft of one of my terrible novels, and I found it very useful for editing, since I left it in Courier type and double-spaced, so I could make written changes. (What is doesn’t do is improve the terrible first draft…)Much easier than doing it all on the computer. The machine itself is located in Shakespeare & Co, the independent bookstore on Lexington Avenue, and the company now offers other self-publishing tools as well.

Our most frequently published member, Ed Ahern, publishes short stories in many places, among them Ember and Spark. Recently, one of his stories, published by them, was accepted for a project that brings stories to young readers in eBook form to encourage them to read. And there’s a strong possibility it will be made into an audio version by Audible, too. The project is being coordinated by Plympton, so check them out. If I gave you all the details, it would be another whole post, but I’ll ask Ed to tell us more at the next Rendezvous.

Ed found Ember and Spark via Duotrope – it works, people!

And Kate Mayer recommended a site for freelance writers who want to make money writing: The International Freelancer. Check it out.

Kate also mentioned that she’d been paid to be a beta reader of a book. We all need beta readers for our own work, so if you know how to find them, let me know.

Write on, until next month!

 

 

 

 

 

 

 

 

Westport Writers’ Rendezvous – May update

Our May meeting of the Westport Writers’ Rendezvous was made even more interesting by several new members. I never know what’s going to come up, but new members always add something to the mix. If you’ve anything to add to this list, please add it in the comments below. Thanks! images

Events

Among the upcoming events I want to mention is The Connecticut Press Club’s Awards dinner, which is taking place this Wednesday, May 25th at the Saugatuck Boat Club in Westport. $40 gets you drinks and hors d’oeuvres and a chance to meet fellow writers of all types. There were around 40 categories of awards this year, so there’s a place for everyone to submit next time round. Please RSVP by emailing Michele Turk ctpressclub@gmail.com immediately!

Terry Macmillan of Waiting to Exhale fame will be presenting her latest book, I Almost Forgot About You, at the Wilton Library on June 7th at 7-8:30pm. The event is free but it’s a good idea to register on line.

 

One of our members, Mary Ann West, is launching her new book: House Grab – a True Crime Story on Saturday, June 11th from 6:00 PM- Sunset at The Pavilion at Longshore Park, Westport, CT. Since she’s combining the event with her birthday, she’d love you to bring a new or genty used book to be donated to local charities. For more details, connect with Mary Ann on Facebook

Jan Kardys, who organizes several literary events, including the Unicorn Writers’ Conference, Is running a one-day workshop for writers on June 25th in Newtown, CT for a cost of $45 per participant. Here’s a quick rundown:  Part 1- The Craft of Writing. Award-winning filmmaker, playwright, author and teacher Bob Zaslow will demonstrate the six elements of effective writing. Part 2- How to Get Published. 35-year publishing veteran, Jan Kardys, will call on her experience working for ten of NYC’s biggest publishing houses to talk in depth about the big three types of publishing: traditional, self-, and blended and which one is right for you. Part 3- The Craft of Design. Unfortunately, today people do judge a book by its cover. Glen Edelstein, former art and design director for Bantam Dell Publishing, will teach you about the elements of good design: from covers to interiors to typefaces, as well as special features bookmarks, flyers and banners. Parts 4, 5, 6- Three Connecticut published authors, Including Tessa McGovern of the Fairfield County Writers’ Studio,  will discuss their own writers’ journeys to success and answer questions. You can register here

 

Writers looking for constructive criticism should check out the Easton Writers’ Workshop. Recommended by Ed Ahern, it’s a Meetup that happens once a month (I think). The next meeting is this Saturday, May 28th, at 11am. Here’s the link.

 

The next events for writers at the Fairfield Public Library will be
Writers Read, on Tuesday June 7, from 7-9 pm and Writers’ Salon, Friday June 3, from 4-6 pm. They’re out of their usual sequence in June because the first Tuesday comes after the first Friday.

Some of our members have announced their new websites. They are:

Kate Mayer: KathrynMayer.com

Jacqui Masumian: http://www.jacquelinemasumian.com/ (hosted by Weebly)

And Susan Israel: http://www.susanisrael.net/

BTW, Susan will be appearing at Barnes and Noble in Westport to launch her latest crime novel, Student Bodies, on June 30th at 7pm. Come and support her!

Articles

Ed Ahern sent me this. It’s an article by a young woman whose job it was to read short story submissions. It’s witty but quite pointed, too. Any of you writing shorts, should take a look.

Here’s the article we talked about on how to promote your book relatively painlessly, by Kimberly Dana. Many of these are simple ideas that you can begin doing now, even if your book isn’t finished.

Alex McNab found this interview by the Book Doctors (the people who run Pitchpalooza) with author John Dufresne. About two-thirds of the way down he talks about book promoting and platform, if you’re interested.

 

Useful info

Alex McNab’s latest blog post, with Sinatra biographer James Kaplan, is now up at the Fairfield Writer’s Blog.

Something a little different – Do you love books?  This could be your dream job!  Elm Street Books in New Canaan is looking for a part-time bookseller (3 days, permanent, no summer positions). Must be available to work on weekends. Please email resume to:Kathleen@elmstreetbooks.com

New members looking for places to submit, should take a look at Duotrope and also Beyond Your Blog. Their approaches are quite different, but they can give you ideas. Both are used by some of our most regularly published writers.

Talking of submissions, the next deadline for Glimmer Train is June 30th. They publish fiction of various lengths, and there are prizes for the best.

I attended a lunch with Pulitzer prize-winning author Anna Quindlen the other day, so I took the opportunity to ask her what she felt about editing (my hobby horse). She said she wouldn’t dream of publishing without her books being edited by her long-time editor, and didn’t understand her friends who did so. Editing makes a book so much better. I feel vindicated…

Until next time – happy writing!

 

 

 

 

 

 

 

 

Author Interview: Nora Raleigh Baskin

280493I met Nora Raleigh Baskin at the Unicorn Writers’ Conference in August and was interested to find that she was a prolific writer of middle grade novels, who’s been writing since she was in 5th grade. I read YA novels from time to time, but I wasn’t sure what to expect from a middle grade one. So I read her latest book Ruby on the Outside, because it dealt with a topic I hadn’t seen covered anywhere else in children’s books. It’s about a girl whose mother is in prison for life, convicted of being an accessory to murder. There are many questions about truth and lies, friendship and family, as well as some spot-on characterizations of 11 year-old girls. Apart from being a page-turner, it offers the reader hope that he/she doesn’t have to stay ‘on the outside.’ After reading the book I had some questions for her.

GC: Ruby on the Outside is your 12th novel for middle graders. This is a relatively new genre in terms of marketing. Why did you choose to write for this age group?
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NRB: I’m not sure how new this genre is. I think the YA spin-off is the one that marketers have really jumped all over. Middle grade is what we used to just call Children’s books. It’s what most of us remember from school, Nancy Drew, E.L. Konigsburg, A Wrinkle in Time. In fact, as a writer I feel that these publisher/library imposed categories are very limiting but that’s a whole other topic of conversation. I write for all ages. I write for myself. I write the stories I needed to tell and when I told that story (my first book in 2001) in a 6th grader’s voice it worked best. And so that’s where I mostly stayed.

GC: Your books are often about outsiders. Is there some particular reason why you find these characters interesting?

NRB: I have a strong feeling that all writers, to one degree or another, at one time in their life, or still, feel like outsiders and so have become observers. Writers are viewers, watching and listening and analyzing the world as they see it, and as they want others to see it. For me, it began when I was three and a half and my mother committed suicide but the truth was kept from me for many years. This disconnect between what I had witnessed as a child and what I was being told created an “I-don’t-belong” sensibility. From a very early age I became a “truth-seeker” and that is what I do in my writing to this day.

GC: What’s the most fun thing about being a middle grade author?

NRB: Interesting question. Being a writer is a great profession but writing for children is an added responsibility, at least I believe so. I’m not sure if that qualifies as fun, but is it what makes being a middle grade author important. Just like middle school teachers, who can play very important roles in a child’s life (more so than any other age in many ways), I care about what I write and how it is going to be read by children. I feel deeply that I need to write stories that are realistic and do not offer false hope, but do offer hope. And that present characters of strength, acceptance, and resiliency.
GC: Do you get direct feedback from fans about your books? And do they comment on your amazing ability to capture a young person’s voice?

51Q7daYMuQLNRB: With the internet, Twitter, and FB I get more feedback than I’ve ever gotten. I’ve gotten requests from students doing book reports, complaints from parents about some minor (I mean, teeny tiny) bad word in my basketball book (Have you ever BEEN on a basketball court???) but mostly I get wonderful, validating, and affirming letters from students, teachers, and parents. In particular I hear from many people about my book, Anything But Typical which told the story of a 12 year-old autistic boy from the first person POV. Books move people, make them think, and feel, and care. There is nothing more meaningful than finding out that I’ve achieved that.

GC: What’s up next?

NRB: My next book is being published in August 2016 by Simon & Schuster. It’s titled: Nine, Ten: A September 11 Story, and tells the story of four children across the United States in the 24 hours before 9/11. It is not a depressing or scary story, but again, hopeful.
Other than writing, I’ve lately found myself drawn to teaching. I enjoy very much talking to writers about writing, and helping new writers figure out their creative paths. I have been teaching for years through Gotham Writers Workshops and various conferences around the country and I’ve decided to start offering my own workshops and manuscripts critiquing. I’ve made a new website just for this new teaching venture: LightOnWriting.com. I do hope people will find the site and take an interest. The first workshop,Trade Secrets: Writing for Children & Young Adults, is scheduled for Saturday, November 21, 2015, 10-4 in Norwalk, CT.

You can connect with Nora on Google +Twitter and Facebook.

Want to know where to meet a literary agent?

Jan Kardys 2I recently registered for the Unicorn Writers’ Conference, a one day affair which takes place on August 15th in Westchester County, NY. And last Thursday, I attended a talk given by its founder, Jan Kardys, where she explained what it is that sets her conference apart from others. I was particularly interested in the possibility of having professional editors and agent do an assessment of my work, just to see if I’m on the right track. You can find out more below, and if you aren’t able to attend the conference, I think you’ll find Jan’s book really helpful, too.
GC: You’re a literary agent, which is a demanding job. When and why did you decide to found the Unicorn Writers’ Conference?
JK: Unicorn Writers’ Conference came to life in 2010 after attending many writers’ conferences as a guest speaker throughout the US. It occurred to me that since I had worked inside publishing for 35 years for 10 major NYC book publishers, I could get top editors, agents, and speakers to attend a conference if I put one together. I think writers need to understand the various departments within a traditional publishing company, the role of agents and editors, and how to improve their writing skills.

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GC: What are the reasons to attend a conference like yours?
JK: What sets Unicorn Writers’ Conference above the competition is the large list of top literary agents, NYC book editors from major publishing houses. Unicorn’s manuscript review sessions are better than our competition – a deal with major agents for 40 pages and a 2 page book summary (all read in advance) for $55 and 30 minutes with an agent and/or editor. Writers have found their agents at Unicorn Writers’ Conference and we have book deals with two major NYC book publishers.
GC: How is it different from other writers’ conferences?
JK: We run five (5) different workshops for writers every hour. This is an opportunity to meet literary agents, pitch your book, network with other writers, meet printers, sponsors, and learn about the benefits of traditional publishing vs self-publishing. We also select our best-selling keynote speaker from a list of published authors who will motivate and inspire our attending writers. This year the keynote speaker is New York Times best-selling author, Stephanie Evanovich. We carefully cover craft, career, and connections for writers. Unicorn focuses on workshops that will educate writers – agent panels cover copy in marketing books, character, social media, plots, and book proposals. Unicorn selects agents and editors that cover many genres in order to reach more writers, including poetry, fiction and non-fiction. We are proud that Writers’ Digest Magazine interviewed us in their magazine in 2012, and you know you are successful when many literary agents throughout the US and New York City ask to return each year.

GC: What are the main mistakes writers make when they’re trying to get published?
JK: The first mistake is submitting your manuscript without having it edited by a freelance editor before you send it off to literary agents, or publishers that will consider unsolicited manuscripts (without an agent). Too often writers are under the impression that a book editor will assist the writer in “rewriting, restructuring and revising the book.” This is not the process today. Agents and editors have higher expectations in today’s marketplace, and they demand manuscripts that are fully edited, in excellent editorial shape, ready for publication, and without any errors, etc. The second mistake is not researching your competition for your book before you write it. Third mistake is not setting up social media before you write your book. Start networking with writers now as it is a long process to build an audience and followers.

GC: Have you ever found someone you decided to represent at your conference?
JK: Yes, a former newspaper reporter who wrote a novel set in the 14th century. It is currently under submission. The author originally signed up with John Ware (who attended the conference for many years – a former Doubleday book editor, former agent at Curtis Brown, and agent at John Ware Agency). John died and this author connected with me via LinkedIn and I was blown away about her novel. I can’t wait to sell it!