So happy to see twenty or so members at today’s Rendezvous. I love the way people stay on after, to ask questions, introduce themselves and generally have a good time. Partly because of the local super-event, the Saugatuck StoryFest, which is happening soon, I’ve split this update into two. Here’s Part 1.
The Pequot Library is presenting From Tension to Tenderness: Healing the Mother/Adult Daughter Relationship, tomorrow, Thursday, September 19, from 7:00-8:30 p.m.
Hear from member Marlou Newkirk and her daughter Laurie, the co-founders of motherrr.com, which focuses on healing this dynamic relationship.
This Saturday, September 21, take advantage of the free monthly Memoir Writing Workshop with Brian Hoover, 10:30-12:00, in the Bridgeport Library’s History Center, 925Broad Street, 3rd floor.
Today is the last day of National Poetry Month. To mark the occasion, I am interviewing an award-winning local poet, Edward Ahern. His book, Irregular Images, is his latest published volume, and it differs from his others, because it’s poetry. Ed may seem like an unlikely poet, because he’s a prolifically-published writer of a novel, The Witches’ Bane, and stories laced with dark humor and a touch of the surreal. Many of the poems in this volume reveal a more metaphysical outlook, yet some of my favorites are those that tell a story, like The Wake, in which a man tells another, silently, how much he despises him, and Telling a Fortune, which reveals the fortune-teller’s point of view. And, as ever, the humor comes through too, in The Urchin Response and O’Leary’s Drive-Thru. I wanted to know more about his poetry.
GC: I know you as a prolific author of short stories, which have been published in journals, anthologies and collections. When/why did you decide to add poetry to your repertoire?
EA: It was curiosity that subverted the fiction writer. I‘d been reviewing poems for Bewildering Stories for a couple years, some of them pretty good, some of them clotted chewing gum. I wondered if I couldn’t write poems equally bad or maybe a bit better. So I read into poetry writing, dabbled in a couple on line courses and started writing poems. They got accepted, so I wrote more. And more. I think that writing poetry requires a hopeless infatuation with words, and that it dramatically improves my fiction writing.
GC: Writing poetry tends to be a solitary experience. How do you get feedback on your poems before you submit them?
EA: I cheat, often submitting poems before another human has read or heard them. If a poem is rejected say seven or eight times I assume it stinks and rewrite it. It’s usually accepted thereafter. (I use the editor’s pass/fail vote as feedback on the poem’s quality. Saves me anguishing about whether or not the poem’s any good.) People in poetry groups are often too nice to tell me it stinks, although I encourage them to do so.
GC: You’ve had many poems published by now. Where would you suggest poets submit to begin with? Are there any publications more open to new poets?
EA: I started with low expectations, submitting to publications that accepted fifty percent or more of the subs. Too many writers of both fiction and poetry assume their raw poetry has undiscovered greatness and submit to the top magazines, which accept only one or two percent of unsolicited submissions. They’re rejected, get dejected, and stop writing. There are hundreds of receptive publications out there, including Bewildering Stories.
GC: Irregular Images is your first poetry collection. What prompted you to publish it, and how difficult was the process?
EA: All credit for the Publication of Irregular Images goes to Alison McBain, who went through the Amazon publication anguish. She’s not guilty of the poems’ DNA, but she delivered them. Peculiarly, a different assortment of twenty of my poems, will be published as a chapbook by Prolific Press, titled Dirty Handed Graspings. I’ll need to treat my children lovingly but uniquely as they develop.
GC: How did you choose which of your poems to include, and in which order?
EA: The selection process was painless. Of a hundred thirty poems written so far, eight or so are so bad I euthanized them. Another five are variations on the same theme. Another ten or fifteen, despite being published, are not how I want them to appear, and need cosmetic surgery. Irregular Images could be described as a ‘what’s left’ volume.
GC: In that case, it’s an advertisement for effective pruning!
We had a relatively small but select group of members at Wednesday’s meeting, probably due to spring break around here, coupled with Passover and Easter. But that gave us a chance to talk to each other about whatever was on our (writing) minds. One of the topics was rejection, about which one of our more prolific writers, Jacqueline Masumian, (Nobody’s Home) has a theory. She has always made it a goal to achieve 50 rejections. I don’t think she’s there yet, because her work is accepted more and more often. Because she submits. And that’s the point of the goal…
It seems to me there are more and more events for writers around here, so I keep updating my Writers’ Calendar, on a separate page of this blog. If you have anything you’fd like me to add, let me know. Here’s a selection of upcoming events, plus some ideas for ways to move your writing forward. Part 2 will follow next week.
On Saturday, April 20, at 7:30 pm, Shanna T. Melton of www.PoeticSoulArts.net is hosting a celebration of National Poetry Month, to include the music of DJ Buddha LuvJonz, art, and an open mic for poets. The event will be held at Conscious Creators, Studio 1223, The Bridgeport Innovation Center on Connecticut Ave, in Bridgeport. $10
From April 26 – 28 (Friday/Saturday at 8pm, Sunday at 3pm) a festival of nine new plays will be presented by the Theatre Artists Workshop in Norwalk. Reservations: 203 854 6830. Suggested donation: $25
On April 30, the Fairfield Library is holding an evening for and about book clubs. Worth going if you’re a writer who’d like more book clubs to buy your book. Guest speaker, Carol Fitzgerald, is Founder and President of The Book Report Network. She’ll share some of the hottest new titles, and explain the website Reading Group Guides. Come on your own or bring your book club! Register here.
May 5 sees members Ed Ahern and Alison McBain will be at the Fairfield Library along with other members of the Poets’ Salon, to read selections from their published collections and answer audience questions about their process of writing and getting published. Register here. Ed will be reading again on May 7 at Curley’s Diner in Stamford.
On May 9, from 7-8:30pm, I’ll be leading an Book Odyssey Author Night at the Storytellers Cottage in Simsbury, CT, featuring: Elizabeth Chatsworth, Roman Godzich and Alison McBain. This is one of many author events they hold there. Do join us for this exclusive author night. Meet each author and hear readings from their latest books. Signed copies will be available for purchase. Enjoy a light reception after. If sci-fi isn’t your thing, don’t worry, we’ve written books in various other genres too. Register for $5
Also on May 9, at 1pm, Alafair Burke, author of The Better Sister, will be at Fairfield Main Library for an author talk and signing with high tea/luncheon. Please rsvp here since space is limited,
Liv Constantine, the two sisters who wrote The Last Mrs Parrish, will be launching their latest psychological thriller – The Last Time I Saw You at the Fairfield University Bookstore on May 10, from 7-9pm. The evening is entitled Merlot, Munchies, & Murder, which should give you some idea of what to expect! RSVP: firstname.lastname@example.org. If you can’t make that evening, there are various others planned. (See the Writers’ Calendar for details.)
On May 16, from 7-9pm, the Fairfield County Story Lab in Westport is hosting a Literary Game Night. Host Evan Pagano, presents a rousing evening of trivia, charades, Pictionary and more — all centered around books, authors and all things literary, from classics to contemporary. Come and compete, team up with new friends, or just watch the games unfold and have some fun. Free to members. $10 for guests. Open to the public.
Keep an eye out for part 2. It should be out on Monday!