Author interview: Edward Ahern

Today is the last day of National Poetry Month. To mark the occasion, I am interviewing an award-winning local poet, Edward Ahern. His book, Irregular Images, is his latest published volume, and it differs from his014 others, because it’s poetry. Ed may seem like an unlikely poet, because he’s a prolifically-published writer of a novel, The Witches’ Bane, and stories laced with dark humor and a touch of the surreal. Many of the poems in this volume reveal a more metaphysical outlook, yet some of my favorites are those that tell a story, like The Wake, in which a man tells another, silently, how much he despises him, and Telling a Fortune, which reveals the fortune-teller’s point of view. And, as ever, the humor comes through too, in The Urchin Response and O’Leary’s Drive-Thru. I wanted to know more about his poetry.

GC: I know you as a prolific author of short stories, which have been published in journals, anthologies and collections. When/why did you decide to add poetry to your repertoire?

ed ahernEA: It was curiosity that subverted the fiction writer. I‘d been reviewing poems for Bewildering Stories for a couple years, some of them pretty good, some of them clotted chewing gum. I wondered if I couldn’t write poems equally bad or maybe a bit better. So I read into poetry writing, dabbled in a couple on line courses and started writing poems. They got accepted, so I wrote more. And more. I think that writing poetry requires a hopeless infatuation with words, and that it dramatically improves my fiction writing.

GC: Writing poetry tends to be a solitary experience. How do you get feedback on your poems before you submit them?

EA: I cheat, often submitting poems before another human has read or heard them. If a poem is rejected say seven or eight times I assume it stinks and rewrite it. It’s usually accepted thereafter. (I use the editor’s pass/fail vote as feedback on the poem’s quality. Saves me anguishing about whether or not the poem’s any good.) People in poetry groups are often too nice to tell me it stinks, although I encourage them to do so.

GC: You’ve had many poems published by now. Where would you suggest poets submit to begin with? Are there any publications more open to new poets?

EA: I started with low expectations, submitting to publications that accepted fifty percent or more of the subs. Too many writers of both fiction and poetry assume their raw poetry has undiscovered greatness and submit to the top magazines, which accept only one or two percent of unsolicited submissions. They’re rejected, get dejected, and stop writing. There are hundreds of receptive publications out there, including Bewildering Stories.

GC: Irregular Images is your first poetry collection. What prompted you to publish it, and how difficult was the process?

EA: All credit for the Publication of Irregular Images goes to Alison McBain, who went through the Amazon publication anguish. She’s not guilty of the poems’ DNA, but she delivered them. Peculiarly, a different assortment of twenty of my poems, will be published as a chapbook by Prolific Press, titled Dirty Handed Graspings. I’ll need to treat my children lovingly but uniquely as they develop.

GC: How did you choose which of your poems to include, and in which order?

EA: The selection process was painless. Of a hundred thirty poems written so far, eight or so are so bad I euthanized them. Another five are variations on the same theme. Another ten or fifteen, despite being published, are not how I want them to appear, and need cosmetic surgery. Irregular Images could be described as a ‘what’s left’ volume.

GC: In that case, it’s an advertisement for effective pruning!

You can follow Ed on Facebook and Twitter. He is also co-organizer of The Poets Salon Meetup, which meets once a month in Fairfield, CT.

 

 

 

Westport Writers’ Rendezvous: April update – Part 1

jacqueWe had a relatively small but select group of members at Wednesday’s meeting, probably due to spring break around here, coupled with Passover and Easter. But that gave us a chance to talk to each other about whatever was on our (writing) minds. One of the topics was rejection, about which one of our more prolific writers, Jacqueline Masumian, (Nobody’s Home) has a theory. She has always made it a goal to achieve 50 rejections. I don’t think she’s there yet, because her work is accepted more and more often. Because she submits. And that’s the point of the goal…

It seems to me there are more and more events for writers around here, so I keep updating my Writers’ Calendar, on a separate page of this blog. If you have anything you’fd like me to add, let me know. Here’s a selection of upcoming events, plus some ideas for ways to move your writing forward. Part 2 will follow next week.

On Saturday, April 20, at 7:30 pm, Shanna T. Melton of www.PoeticSoulArts.net is hosting a celebration of National Poetry Month, to include the music of DJ Buddha LuvJonz, art, and an open mic for poets. The event will be held at Conscious Creators, Studio 1223, The Bridgeport Innovation Center on Connecticut Ave, in Bridgeport. $10

From April 26 – 28 (Friday/Saturday at 8pm, Sunday at 3pm) a festival of nine new plays will be presented by the Theatre Artists Workshop in Norwalk. Reservations: 203 854 6830. Suggested donation: $25

On April 30, the Fairfield Library is holding an evening for and about book clubs. Worth going if you’re a writer who’d like more book clubs to buy your book. Guest speaker, Carol Fitzgerald, is Founder and President of The Book Report Network. She’ll share some of the hottest new titles, and explain the website Reading Group Guides. Come on your own or bring your book club! Register here.

ed ahernMay 5 sees members Ed Ahern and Alison McBain will be at the Fairfield Library along with other members of the Poets’ Salon, to read selections from their published collections and answer audience questions about their process of writing and getting published. Register here. Ed will be reading again on May 7 at Curley’s Diner in Stamford.

On May 9, from 7-8:30pm, I’ll be leading an Book Odyssey Author Night at the Storytellers Cottage in Simsbury, CT, featuring: Elizabeth Chatsworth,  Roman Godzich and Alison McBain. This is one of many author events they hold there. Do join us for this exclusive author night. Meet each author and hear readings from their latest books. Signed copies will be available for purchase. Enjoy a light reception after. If sci-fi isn’t your thing, don’t worry, we’ve written books in various other genres too. Register for $5

alafairAlso on May 9, at 1pm, Alafair Burke, author of The Better Sister, will be at Fairfield Main Library for an author talk and signing with high tea/luncheon. Please rsvp here since space is limited,

last timeLiv Constantine, the two sisters who wrote The Last Mrs Parrish, will be launching their latest psychological thriller – The Last Time I Saw You at the Fairfield University Bookstore on May 10, from 7-9pm. The evening is entitled Merlot, Munchies, & Murder, which should give you some idea of what to expect! RSVP: livconstantine2@gmail.com. If you can’t make that evening, there are various others planned. (See the Writers’ Calendar for details.)

On May 16, from 7-9pm, the Fairfield County Story Lab in Westport is hosting a Literary Game Night. Host Evan Pagano, presents a rousing evening of trivia, charades, Pictionary and more — all centered around books, authors and all things literary, from classics to contemporary. Come and compete, team up with new friends, or just watch the games unfold and have some fun. Free to members. $10 for guests. Open to the public.

Keep an eye out for part 2. It should be out on Monday!

 

Westport Writers’ Rendezvous – July update

I wasn’t able to be at Wednesday’s get-together, but I understand members had lots of positive happenings to report, which is fantastic. Alex McNab hosted in my place, and did a great job, I’m told. Thanks, Alex. A local storytelling … Continue reading

Westport Writers’ Rendezvous – March Update

We had another great meeting on Wednesday, which brought up a number of new ideas – some about publishing. Here’s a blog post about why it’s a good idea to publish via Amazon. This article includes links to others which tell you how to format your file and give you suggested templates.

imagesAnd this is an article about how one sells publishing rights, for those who need to know.

In upcoming events, on March 31st at 7pm, Write Yourself Free is sponsoring a free workshop with Victoria Sherrow on Writing for Kids. Please email Tish Fried at tishpatrick@mail.com to register.

Sisters in Crime, New England, are having a read-in (I invented that word. GC) on Saturday, April 16th from 1.30-3.30 at the Fairfield County Writers’ Studio in Westport. Connecticut mystery writers will be reading from their books and there’ll be a chance to mix and mingle with them afterwards. In the morning, the FCWS will offer a writing workshop called Mystery 101 from 9.30am-noon.

And the day after, same location, Joyce Maynard, NYT bestselling author, in conversation with award-winning author Nora Raleigh Baskin (4/17 at 7p.m.)

The Creative Nonfiction Writers’ Conference will be held from May 27-29 in Pittsburgh this year. Meetings with literary agents are available. More details here.

For some reason, we had quite a discussion about writing poetry. It turns out there are a number of places where poets can meet others and get feedback. One of our Meetup members, Rona, sent me information about the regular meeting on Tuesday nights (7.30pm) at Curley’s Diner in Stamford. One of our regulars, Leslie Chess Feller, wondered whether the group would consider light verse as poetry (see my interview with her here)
The Bigelow Senior Center in Fairfield is the location for a Poets’ Roundtable every first and third Thursday of the month at 1pm. The gentle critique group is run by Emerson Gilmore.
And Garrison Keillor is offering five thousand dollars in prize money to the seven winners of “‘Poems of Gratitude: The Fourth Annual Common Good Books Poetry Contest. Submissions due by April 15th, only one poem per person, guidelines here.

Sophronia Scott is organizing a series of readings by Connecticut writers (not an open mic) at the C.H. Booth Library in Newtown CT. The next one is May 1st from 2-4pm and she already has some good authors lined up. It’s a good chance to meet published writers and ask them about their work.

The Westport Writers’ Workshop is now taking registrations for their Spring workshops here.

Writer’s Relief has an email newsletter you might find interesting. It includes submission listings as well as interesting articles on publishing, editing etc.

Meeting regular, Jacque Masumian, sent me details of her newly published short story “Out of the Park,” now available in the January issue of the on-line journal Still Crazy , only until the end of March. She explained that the download costs $4 payable through Paypal, so if you have a Paypal account and can manage it, please take a look. She’d love some feedback. My question is: Who gets the $4? I hope it’s Jacque.

Bernice Rocque sent details of Carol Bodensteiner’s blog post about her advertising experience with Book Bub which resulted in her second book being picked up by Lake Union, Amazon’s traditional publishing company. Bernice commented that she thinks they rarely agree to promote newly published books. But the article is fascinating because the author gives you actual numbers of books sold, money made etc. Sounds like good value to me.

Alex McNab mentioned the Muse and The Marketplace conference to be held in Boston from April 29th-May1st this year. He sent me three links, in hierarchical order, to Grub Street, the conference, and the manuscript-evaluation sessions. Go for it!

Ed Ahern, our most avid submissions guy (and therefore the most frequently published), mentioned that Duotrope now has listings for podcasts you can submit your mp3 files to. Sounds interesting (geddit?). He is also reading for Bewildering Stories, which is looking for flash fiction (defined as up to 1,000 words). Submit here

Kate Mayer talked about Listen To Your Mother, a storytelling production that
takes the audience on a well-crafted journey that celebrates and validates mothering through giving voice to motherhood–in all of its complexity, diversity, and humor–in the form of original readings performed live on-stage by their authors. (I didn’t write that, BTW. GC) Cities and auditions are usually announced Dec/January and auditions are February, so the shows are decided for this year, but it’s something to keep in mind. .

And here, in a burst of shameless self-promotion (I’m quoting her, here), is the video of Kate from the 2012 NYC performance.

Author interview: Leslie Chess Feller

coverWith the rise of self-published books, it’s hard to know which books are worth buying. So when I find one I think is excellent in its class, I like to give them and their authors a shout-out. One such is Monster In My Lunchbox,  an illustrated book of family-focused rhyme. The poems are by Leslie Chess Feller and the illustrations by her late sister, Shelley. I asked Leslie how the book came about and her answers were quite unexpected. Read on to find out why.

GC: Can you tell us something about the book?
LCF: Monster In My Lunchbox is a collection of light verse that celebrates family. It includes simpler poems for early readers and others for kids in elementary school and beyond. But it’s also for Moms, Dads, Grandmas and Grandpas. I like to say that anyone who has ever been a kid will get a laugh out of these poems. They are meant for the whole family to enjoy together. Here’s a sample:

SCHOOL DAYS, RULE DAYS …cartoon 1
Bells ring! Books slam!
Papers shuffle! Yes, Ma’am!
Raise your hand! Get in line!
Hurry up to be on time!
Quiet please! Do your work!
Don’t be idle! Do not shirk!
Reading, writing, number stuff …
Sometimes I’ve had quite enough.
Even when I’m pleased as punch,
I think my favorite subject’s lunch

GC: How long have you been a poet?
LCF: I grew up in Brooklyn, NY, the second of five siblings. My sister Shelley, older by 15 months, was the alpha sibling and with three younger brothers there was never a dull moment. Our father was a physician who loved the poet Ogden Nash. Whenever he had something to say to our mother, a psychologist, he would do it with a clever Ogden Nash-ian rhyme. And my mother would rhyme right back.

lcf kids

Leslie (L) and Shelley

You could tell anybody anything in my family, even our father, if you did it with a poem. Every occasion became a poetic roast. Like my siblings, I began to rhyme as soon as I could write. So when my daughter Dania brought home Shel Silverstein’s A Light in the Attic in the fourth grade, I looked at it and said, “I can do that.”

GC: How did you get your first poems published?
LCF: In 1985, a few of my Kidstuff poems ran in a local newspaper and attracted the attention of editors at a Westport, CT, magazine, Profiles. As soon as I found out they wanted me to do a monthly column and were open to me bringing in an illustrator, I called Shelley. By then, she was the world’s best middle school science teacher. But as a student, she used to get in a lot of trouble for cartooning all over her schoolwork. “Hey, Shelley,” I said. “I’m getting these poems published! Maybe you could do some cartoons?”

GC: Did you continue to publish poetry?
LCF: I did two other light verse columns for Profiles. Both Rhyme or Reason and Poetic License won Connecticut Press Club awards, but ran without illustrations. Soon my editors started assigning me articles which put my writing career on a different track. I went from local articles to the New York Times to national magazines as a freelance journalist for almost thirty years. Writing in light verse became something I enjoyed doing for family events.

GC: What made you decide to publish your poems now?

lcf sis

Leslie (L) and Shelley

LCF: This book is also a celebration of a very special sisterhood. Over decades, my sister and I cheerfully perfected the art of never, ever agreeing with each other – except that we didn’t want to fight. Agreeing to disagree was our solution, the catalyst for what became an extraordinary friendship. Shelley died of leukemia two years ago. It was a terrible loss.
Six months afterwards, I was standing in my living room feeling very black. For no reason, I opened a cabinet door. Something fell on the floor in front of me. It was a xerox copy of fifty of my poems with fifty illustrations done by my sister. I had forgotten ever writing them. The fifteen Kidstuff poems in my writer’s portfolio were what I remembered. But at some point, decades ago, I had given more to Shelley and she had chosen to illustrate them.
I felt her right beside me. “Publish these,” Shelley said. The words were sweet. I threw everything out of that cabinet in a mad search for the pen and ink cartoons. Eventually I found 110 of my poems, each with the perfect cartoon. My sister and I disagreed about everything, but clearly we shared the same sense of humor. Monster In My Lunchbox is a collaboration that includes eighty of my favorites.

GC: How are you promoting your book?
LCF: Monster In My Lunchbox was published in November, 2015.
The website is http://www.monsterinmylunchbox.com On the website, you can listen to me read the title poem. Then click links to videos of other poems in the collection.
And I’ve been giving talks and readings at libraries, and for parent groups among others.

You can see the promotional video here. And to connect with Leslie, follow her on Facebook or Google +, and Vimeo where you’ll find links to more videos.
The book is available from Blurb.

Favorite Poems – Ten of the best

My friend Sally Allen at BoooksInK challenged her readers recently to produce a list of their ten favorite poems. I thought this would be simple, but when it came right down to it, I found it hard to choose. Still, I did, and this post explains my choices, since I notice that I chose them for various reasons that include: if I ever learned one by heart, if it says something about a certain time in my life, if it makes me laugh, if it makes me cry…so many reasons. Anyway here they are:

1.      Some one by Walter de la Mare

This may be the first poem I learned as a little girl. It’s a great poem for kids, because the metre, repetition and rhyme make it easy to remember. And it tells a story with a mystery at its heart. It’s got everything.

2.      The Lady of Shallott by Alfred, Lord Tennysonshalottcircle

This poem I love because it reminds me of my mother, who knew parts of it by heart and would recite it in lieu of a bedtime story. It’s very visual and the parts she remembered were about how the Lady, imprisoned in the Tower of Shallott, becomes desperate. Good stuff.

3.      Morning has broken by Eleanor Farjeon

Who couldn’t like this one? I know it’s a hymn, but it’s also a poem, and it makes me happy to recite it to myself. Or sing it, Or listen to Cat Stevens sing it. All good.

4.      I remember, I remember by Thomas Hood

006_2We had a wonderful cleaning lady who used to teach me poems as I followed her around while she tidied the house. I must have been a pest, but she never complained. This is a very sentimental poem, but it meant something to me when my grandparents’ house by the sea (see left), where I was born and spent my summer holidays, was sold. Mrs Ryder taught me another one but I can only remember the title and the first 4 lines. Harry and the Cake: Run off to school, Harry/Why do you wait?/ Nine o’clock striking/And you will be late.

5.      When icicles hang by the wall by William Shakespeare (from Love’s Labours Lost)

This I learned in high school, and it’s so very evocative of the perishing cold winters we’ve been having recently that I’ve remembered it again. It cheers me (somewhat) to know that winters were hard four hundred years ago, too.

6.      The Conway Stewart by Seamus Heaney

This is a poem about a pen, the brand name – Conway Stewart. I had a fountain pen in high school, because we had to write everything by hand. I think my favorite was a Waterman, because they were also my mother’s favorite, but I went through more than one including Parker and the eponymous Conway Stewart. Hopeless show-off, I used turquoise ink, which if it ever leaked, was a disaster because it wouldn’t wash out, unlike the Royal blue washable used by sensible people.

7.      Granchester by Rupert Brooker brooke

Another sentimental poem. Written just before World War 1, in which the poet died (unsentimentally, of dysentery). Rupert Brooke was beautiful to look at, and I read him at an age when romance was all. The poem ends with the famous lines: Stands the Church clock at ten to three?/And is there honey still for tea? In the late sixties, British comedian Peter Sellars wrote and performed a fake travelogue: Balham  – Gateway to the South. (Balham was a very boring suburb of London.) The final lines are: Stands the Church clock at ten to three?/And is there honey still for tea? To which a waitress replies: Sorry honey’s off, dear. (Meaning there wasn’t any.) Perhaps you had to be there…

8.      Dulce et Decorum Est by Wilfred Owen

On a much more serious note, this poem, written by Wilfred Owen was a devastating indictment of World War 1. Owen was killed just before the end of this war, and we studied the war poets in High school. The impact on me was extraordinary. When I won a prize for English they asked me which book I’d like and I chose Men Who March Away. At about the same time, the BBC was showing a 26 part series called The Great War. Using archival film footage and interviews with the survivors, they retold the story. As a child in the fifties, my sisters and I would see the veterans sitting in wheelchairs outside the Star and Garter Home in Richmond. My mother would explain that they had been gassed in World War 1 and would have to live there all their lives. I have never been able to look at war with any shred of romanticism since then.

9.      The Lanyard Billy Collins

Back to the cheerful. When I first heard Billy Collins reciting his poem, I was entranced by the deadpan way he managed to capture a relationship between a boy and his mother. It’s funny and serious. Just listen to it.

10.  Mrs Icarus by Carol Ann Duffy

icarus

As for this, it’s only five lines, but it makes me laugh out loud. A pillock, for my American readers, is a fool. Surely I’m too young to be cynical? Helena Bonham Carter reads it with aplomb.

Which are your favorite poems?

Prince Charles and Me

One of my new year’s goals was to read a poem a day. I’ve been meaning to read more poetry, but it doesn’t come naturally to mind, so I set myself a daily reminder, and so far, so good. Yesterday, I didn’t have to read a poem, because Prince Charles read one to me. He’s the Prince of Wales, as you all know, so it was entirely fitting that he read Fern Hill, by Dylan Thomas, for Thomas’s 100th anniversary.

This is from the DylanThomas100 website, which is organising all kinds of celebrations this year:

logoIn celebration of National Poetry Day listen to the Dylan Thomas 100 Festival’s Royal Patron HRH Prince of Wales reading Fern Hill.

The Prince of Wales said “For National Poetry Day, I was very glad, if somewhat hesitant! – to be able to record a reading of one of my personal favourites, ‘Fern Hill’, with its poignant and moving evocation of a rural west Wales childhood. I cannot help feeling this is one of the great legacies of Thomas’s poetry – that it inspires people to appreciate the incomparable landscape of Wales.”

I think he does a great job!

Take a break and read a poem today…

Today is National Poetry Day in Britain. Here in the US we have National Poetry Month in April, and as part of that there’s a Poem in Your Pocket Day – April 18th next year, and I’ll try to remind you…

The theme for this year’s National Poetry Day is stars, which I like, because one of my sons has turned out to be an astrophysicist – nothing to do with me, needless to say. I’m all about the liberal arts, so poems about stars are perfect.

There are poetry events all over, including a big one in London where they’ll give people a chance to visit one of the Poetry Peace Camp inspired by Deborah Warner’s commission for London 2012 Festival: Artichoke’s Peace Camp. There’s a rolling programme of free readings by top poets, including Dannie Abse, Christopher Reid and Helen Mort.

Kelly Grovier

They’re not being parochial about this either, and are including American poets in their recommendations. You can hear Kelly Grovier reading his poem, The Stars, by clicking here. (I’d reprint it, but I don’t want to infringe on copyright.) So here’s my out-of-copyright choice about stars:

In The Train

By James Thomson

                                                                 As we rush, as we rush in the Train,

                                                                 The trees and houses go wheeling back,

                                                                 But the Starry heavens above the plain

                                                                 Come flying on our track.

                                                                All the beautiful stars of the sky,

                                                                 The silver doves of the forest of Night,

                                                                 Over the dull earth swarm and fly,

                                                                 Companions of our flight.

                                                                 He will rush ever on without fear;

                                                                Let the goal be far, the flight be fleet!

                                                                While the earth slips from our feet!

It’s an old poem – the poet died in 1886, but it still resonates for me. Well, perhaps not when I’m on the train to New York City 🙂

Do you have a favorite?

Poetry Peace Camp in Britain – until July 22

I usually write my own stuff, but this project has so much to write about that I knew I’d be better off letting the Peace Camp website and Fiona Shaw’s video introduction speak for themselves. I’ve added my own comments at the bottom of this post.

Something extraordinary is happening this year as part of the London 2012 Festival. Inspired by the Olympic Truce, whose roots date back to Ancient Greece, renowned director Deborah Warner has been commissioned to create a coastal installation encircling the UK in collaboration with actor Fiona Shaw.

Eight murmuring, glowing encampments will appear simultaneously at some of our most beautiful and remote coastal locations, from County Antrim to the tip of Cornwall, from the Isle of Lewis to the Sussex cliffs. Designed to be visited between dusk and dawn, Peace Camp is a poignant exploration of love poetry and a celebration of the extraordinary variety and beauty of our (British) coastline.

Alongside the live installations, the project will also paint an audible portrait of the nation with the creation of a virtual Peace Camp online. The people of the UK are invited to nominate and record their favourite love poems and submit their own messages, creating an online anthology that celebrates our languages, dialects and accents as well as our rich poetic tradition.

GC: Back to me: This project is funded by Artichoke, an amazing organisation in itself; it creates public space arts projects all over Britain. And this Poetry Peace Camp is an extraordinary concept, partly because it encourages everyone to participate. You can upload a poem of your own, record yourself reading a favourite love poem, suggest a poem or volunteer. The idea is eventually to create an online anthology of love poetry – and what could be better than that? I do urge you to visit the site and find out more about it. If you do, let me know what your favorite love poem is – and did you add it?

How I wish I could visit one of these encampments (see photo above)  overlooking the British coast and listen to the quiet murmur of love poetry, but maybe they’ll do it again next year.

Rosie’s First Poetry Reading

Emily Heist Moss writes a thought-provoking blog, called Rosie Says,about media, gender/sex, politics – anything that reflects her interest in the world around her, and her place in it. Last week, she went to her first poetry reading and was pleasantly surprised. A New Englander by birth, a Chicagoan by choice. she works at a tech start-up, and still has time to write for The Good Men Project, Jezebel, Huffpost and others. Here’s her take on poetry:.

Last week, I went to my first poetry reading. Okay, that’s not quite true. I think in college an English professor or two compelled me to attend a few, but those were stuffy affairs in attic classrooms filled with cheese cubes and dusty podiums.
I love to hear authors read, and over the last ten years, I’ve seen Zadie Smith, Sherman Alexie, Isabel Allende, Eric Larson, Geraldine Brooks, Jeffrey Eugenides, Jonathan Franzen, Dave Eggers, and the like. I never go to concerts, so novelists are my rock stars.
 With the exception of one Mary Karr poem, poetry rarely, if ever, sticks with past the 80 seconds it takes to read, and that’s my own fault. There are a number of diagnosable reading styles, and mine involves sending my eyes vertically down a page and only darting briefly to the edges. I read very fast, but the nuance of punctuation and structure that makes poetry so complex is often lost on me. As is, one would imagine, much of the most eloquent and lovely prose….
Point is, I’ve never gone out of my way to see a poet read aloud. But last week, The Rumpus (one of my favorite literary blogs and the home of the Dear Sugar advice column) visited Chicago and hosted a reading. Sugar brought me to the room, but poets Sommer Browning and Brian Spears actually made me laugh. Browning narrated single frame comic strips to hilarious effect, and Spears recited Twitter-based poetry composed from tweets hashtagged #MiddleAgeWeRollHard. This looks ridiculous as I type it, but it never occurred to me that poetry could be funny.